Kyle Horch studied in Chicago at Northwestern University (B.Mus, M.Mus), where he learned with Frederick Hemke. He was awarded a BP North America Scholarship in 1986-7 to pursue postgraduate study at the Guildhall School of Music and Drama in London, where he learned with Stephen Trier. As a student and young professional musician, he won prizes in numerous competitions in Britain, Europe, and the USA. Since making his London debut in 1989 on the Park Lane Group series, he has performed as soloist at the Queen Elizabeth Hall, Purcell Room, British and World Saxophone Congresses, and many other venues in Britain and abroad. He has made several critically acclaimed recordings as a lead artist: ChamberSax (Clarinet Classics,1999) explores chamber repertoire for saxophone and other instruments and was rewarded with five stars in the BBC Music Magazine. AngloSax (Clarinet Classics, 2003) presents a programme of British and American recital music inspired by folksong, nature, and pastoral imagery – “This is a stunning album” American Record Guide. Returning to chamber music, Kyle formed his own ensemble to record Flotilla (Big Shed Music, 2009), a project focusing on music for unusual combinations of saxophones and keyboards, connected by themes of echo and memory: “This CD sparkles with energy and the playing is terrific.” The Obseriver Other recordings include two CDs of music by the composer Ian Stewart on the Music Chamber label – San Gejtanu (2008) and Islas (2010), John Carmichael’s Aria and Finale on ABC Classics (2004), and the 2006-7 Grade 8 Saxophone Syllabus for the Associated Board of the Royal Schools of Music (2006).

Apart from his own projects, Kyle maintains an active career as a freelance musician across a wide range of orchestral, contemporary, chamber, and light music. He is a member of the chamber ensemble ‘Counterpoise’, which since its formation in 2008 has commissioned works by Edward Rushton, John Casken, David Matthews, and Jean Hasse, performing at venues such as Kings Place and St George’s Bristol, as well as at the Cheltenham, City of London, Newbury, Buxton, Brighton, and Ulverston Festivals. Orchestral work has included concerts, tours, broadcasts and CD recordings with the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Birmingham Contemporary Music Group, Bournemouth Symphony Orchestra, Birmingham Royal Ballet, Rambert Dance Company, London Philharmonic, Philharmonia Orchestra, Royal Opera House, BBC National Orchestra of Wales, and many others. Kyle is lead saxophonist with Michael Law’s Piccadilly Dance Orchestra, playing music from the American songbook – Gershwin, Cole Porter, Irving Berlin, Rodgers & Hart – mixed with early jazz arrangements by Duke Ellington and Fletcher Henderson as well as songs by British contemporaries such as Ray Noble and Noel Coward – at concerts, private engagements, a residency at the Savoy Hotel 1997-2003, and on six recordings.

Committed to music education in all its forms, Kyle teaches annually on a summer course at Hindhead Music Centre in Surrey, and participates frequently in outreach projects in schools, most often for Birmingham Contemporary Music Group. He contributed chapters on saxophone technique and teaching to The Cambridge Companion to the Saxophone (Cambridge University Press, 1999). He has given masterclasses in Britain, France, Holland, Norway, Ireland, Belgium, Switzerland, Australia, and the USA. In 2010 he was a jury member at the ‘5th International Competition Adolphe Sax’ in Dinant, Belgium. He is visiting consultant for saxophone at Birmingham Conservatoire, and has been a saxophone professor at the Royal College of Music since 1991.


2012 Events with Kyle Horch

  • Kyle teaches annually at the Hindhead Music Centre. Which this year will be taking place on 5th-8th August. For more info visit